![]() ![]() The Radical Temporality of Drum and Bass. ![]() ‘Making, Not Filling Time’: Time and Notation in Improvised Musical Performance.Time and Ensemble Dynamics in Indeterminacy: John Cage’s Concert for Piano and Orchestra.Here at the Bottom of the Sky…: Negotiating Time through Phrase, Form, and Tradition within a New York Performance Network.Timing in Palaran: Coordination, Control, and Excitement in Javanese Collaborative Vocal Accompaniment.Temporalities of North Indian Classical Listening: How Listeners Use Music to Construct Time.The Politics of Musical Time in the Everyday Life of Ballet Dancers.Metrical Displacement and Group Interaction in ‘Evidence’ by the Thelonious Monk Quartet.11-, 12-, and 13½-Bar Blues: Time and African American Country Blues Recordings (1925–1938).Rhythm Quantization: Notes on the History of a Technocultural Practice.Maelzel, the Metronome, and the Modern Mechanics of Musical Time.Towards a Cognitively Based Quantification of Metrical Dissonance.Non-isochronous Metre in Music from Mali.The Mind Is a DJ: Rhythmic Entrainment in Beatmatching and Embodied Temporal Processing.Cross-Modality and Embodiment of Tempo and Timing.Timescales and the Temporal Emergence of Musicking.Music, Evolution, and the Experience of Time.Distracted Attention, Temporal Switches, and the Consolations of Performing.To Be in Time: Repetition, Temporality, and the Musical Work.Forms of Time in Nineteenth-Century Music: Geology, the Railway, and the Novel. ![]()
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